Thiruvin Kural Review: Father-son sentiment with the boring action

Arulnithi is a young guy who is deaf and a very rude person. He has a loving father and a lovely daughter-in-law in his family. After an unforeseen accident, they transport his father Bharathiraja to the government hospital. For their own financial gain, the medical staff arranges certain killings. The sister of Arulnithi notices one of them. They make the decision to murder the girl. Was their plan successful? That is the movie’s plot! Yet “Thiruvin Kural” is the story of Arulnithi’s prolonged battle to protect her entire family from a murder gang.

Cast of Thiruvin Kural Movie

Arulnithi, as usual, is the stereotypical furious young guy who is utterly deaf and mute. He succeeds with his body language and mannerisms, which include properly analyzing what is happening around him, searching for his father for the sake of his family, and battling.

Director Bharathiraja evokes pathos in the character of the father who suffers from an accident and is struggling. Even when the movie came around the corner, he had no chance to score.

Heroine Aathmika is a standard heroine who has starred alongside heroes in many Kollywood family-friendly masala films. She fulfills the requirements of the narrative and then exits.

The homicidal gang, portrayed by actors Ashraf, Suresh, Shantan, and Vinod, treats the patients and ladies who enter the hospital with no mercy. One of them, Ashraf, uses his villainy to threaten everything on screen is excellent.

Child actors Sharmi, Chitra, the grandmother of Arulnidhi, and Subaida, all do their tasks correctly.

The Plot Of The Movie

Even though it is a commercial movie, the plot of a violent gang that sneaks in and trespasses under the pretense of working it is fictitious, as is the tragedy of the government hospital. The director exaggerated the public’s misconceptions about how cooperative the government hospital was.

The Corona lockdown and economic collapse have a significant impact on middle-class and low-income people in this country, and the movie’s plot needlessly instills anxiety in its audience by having logical flaws like the police department that appears occasionally.

Father-son sentiment

Similarly to this, the film does not adequately depict the father-son sentiment that underlies the plot. Even though the plot develops rapidly, the screenplay is tedious since it centers around the hospital just to appeal to sympathy.

Arulnithi carries the entire movie on her shoulders and leads us to the shore until the end. even though a very drawn-out first half holds us together in the story, a second half that makes us impatient and suffocate, and the heartbreaking sadness that continues even after the villain gang is defeated.

Sam CS music as per usual. The occasional piece of background music enhances the narrative while dulling it.

The movie is strengthened by the battle sequences. Good performers Arulnithi, Bharathiraja, and Ashraf play the villains in the movie, but inexperienced director Harish Prabhu is unable to deliver what he had in mind owing to the film’s flawed narrative. Best wishes for his upcoming movie.

The traditional script of “Thiruvin Kural,” which entirely relies on Arulnithi, is faltering as a result of the logical flaws that the movie keeps repeating. This “Thiruvin Kural.” has gone underappreciated due to a mediocre narrative and much more underwhelming visual surroundings.

So overall, we don’t need Thiruvin Kural for Tamil New Year!

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